Tag Archive for: Macro

Perfect patterns, nature never fails to amaze

I don’t know about you, but I find myself constantly astounded by nature and its many forms. I am always learning new things, even about species I thought I knew intimately. Some discoveries are through reading and research, others via observation. There is often a sense of perfection in nature’s creations, be it symmetry in a flower’s petals or the precision in the whorl of a snail shell. Beauty surrounds us, though many take it for granted. In this post I’d like to share with you some of details that have caught my eye in the past few months, and make an attempt to explain why I love seeking out nature’s naturally perfect patterns & textures.

I have quite a few photos of things that I like but which often don’t get considered as additions to my portfolio. They are personal to me because they evoke certain memories of places visited, people I’ve been with or my feelings at the time I took the image. I think this is true of many photographers and it is of course the case that other pictures simply don’t make the grade.

For this article I’ve revisited a few of those images and taken a selection that fall somewhere in between. I believe that they are good enough and they do have good memories associated with them, but they didn’t meet the criteria for my portfolio because the subjects are slightly unusual, and I suppose I wasn’t sure where to put them. In short, this is all unseen work and something a little different to normal so I really hope that you enjoy them!

I’m going to start with an image that will hopefully get you thinking a little. I’m not going to tell you what it is or where I took it, I want you to see if you can work it out and send me a message either at the bottom of the page or on Twitter (@AHunterPhotos) with your ideas using #perfectpatterns. The first correct guess will have a little something winging their way in no time! The only thing I will mention is the reason I took it: texture and shape!

 

Perfect patterns

 

My next two images are perhaps slightly more familiar. Tree bark is a fascinating thing, there are so many different types and it can have a great many uses. From thin, colourful strips that peel off Eucalyptus trees to thick cork that we cut up to seal bottles, they all have essentially the same purpose: to shield the surprisingly delicate tissues of the tree from the elements.

This first example is from a Lodgepole Pine, sometimes known as the puzzle-bark tree for the way that the bark flakes away in pieces like a jigsaw puzzle.

 

Puzzle-bark

 

The second is another pine species though I’m not sure which if I’m honest. I really liked the textures in this and the vibrant coloured lichen adds a softness to the rugged surface.

 

Lichen-&-bark

 

Trees offer many opportunities for pattern images from colourful autumn leaves to light and shade in the canopy and plants are no different. The next two images are close-up shots of flowers which I hope will get you looking closer next time you’re out and about. First, a Common Spotted Orchid; I just love the patterns on the petals and filling the frame with colour gives a slightly more abstract image.

 

Spotted-Orchid

 

Next up is an umbellifer which I find particularly pleasing to photograph. The Greater Burnet Saxifrage is neither a Burnet nor a Saxifrage but it does have lovely, sometimes pink, flowers. I took this image because I liked the spacing between the individual florets and by using a large aperture I was able to create a diffuse background and give the feeling that they could be floating in a green sea.

 

Greater-Burnet-Saxifrage

 

Talking of green, this next image is of a cluster of Sempervivum which I found in a natural rock garden in the Alps. I have always had a bit of a soft spot for these plants and I think it all comes down to the shape; the rosettes are perfectly formed.

 

Sempervivum

 

My final plant image is a link to another fascination for me and one that I feel I really ought to learn more about: Mosses. They come in such an array of shapes and colours. Here are two growing together and again this photo is all about shape and texture. The paler parts help to highlight the pattern they create.

 

Mosses

 

At this time of year particularly, I enjoy going out looking for fungi to photograph. We are all familiar with the bright red and white patterns on the cap of a Fly Agaric but while I love finding them, I like to look for the more unusual specimens. Recently I found some fantastic and absolutely huge Parasol mushrooms and I took this shot looking straight down at the cap of one of them. It reminds me a little of a dormant volcano with debris from a past eruption littered round its flanks.

 

Parasol

 

Of course patterns are not just limited to the plant world and indeed a great many examples spring to mind that highlight this beautifully – spots on Leopards, colourful feathers on exotic birds, ridges and spirals of seashells. The one I’ve chosen though is butterfly wings.

I couldn’t quite decide which to go for to be honest, the patterning on butterfly wings can be quite exquisite and the colours breath-taking. Instead though, I decided to share a more abstract image again, of a thick cluster of less colourful butterflies. Black Veined Whites are sadly extinct in Britain but thankfully still reasonably plentiful on the continent and although far less colourful than other species, still rather beautiful. I chose this shot because I wanted just to focus on their veining and the textures of their wings.

 

Black-Veined-Whites

 

My final two images are of geological features. The first is one that I’m sure many of us have seen in some fashion; sand patterns. This particular shot was taken where a dark, peaty river had flowed across the beach into the sea and deposited black sediment on its way. The variety of shapes created by water washing over sand never fails to amaze me and this was certainly no exception, it could almost be an aerial photograph of a desert landscape.

 

Sand

 

Lastly, an image from a place that I found to be quite wonderful. The Callanish Stones on the Isle of Lewis in the Outer Hebrides holds a beauty that I wasn’t really expecting. The stones themselves are full of character and very tactile. This image shows a small part of one stone.

 

Callanish-Stone

 

I suspect that this post may divide opinions slightly. Some of you will go away thinking I’m quite crazy and my images are not what you expected. Hopefully others will like what they’ve seen and start to open their eyes to the details in the world around them. Either way, don’t forget to look more closely at nature’s perfect patterns & enjoy their beauty for yourself.

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Demystifying Macro kit

One of the most frequent questions I’m asked is what kit I use for my macro images, so this week I thought I’d explain and share a few tips along the way.

 

My-macro-kit

The main piece of equipment that will impact your macro photography is what lens you use. I have a Canon EF 100mm f/2.8L Macro IS USM which is fantastic and has a close focus distance of 30cm  making it particularly good for flowers and smaller, less active invertebrates.

Of course there are a great number of lenses available on the market which are brilliant for macro subjects. If your budget won’t stretch as far as a new lens though, there are other options too.

Extension tubes are the simplest in my view. These are basically hollow tubes which fit between your lens and camera body, that move the lens further from the sensor to enable closer focusing and therefore greater magnification. You can get a range of sizes and they usually come in a set which you can either use individually or stacked as necessary.

I’ve also tried a close-up filter which works in a similar way to you or I wearing glasses by altering the focusing distance of a normal lens. Some are available with a thread to fit directly to your existing lens, but I use a Cokin filter system which enables me to use my filters across all my lenses by attaching them to the lens with an adapter.

Many people will argue that a tripod is essential for macro photography. While there are instances in which I will use mine, I prefer hand-holding for my images. I find that it gives me greater flexibility and this is particularly true if you’re chasing around after a butterfly for example! I tend to use a tripod for lower light situations where I can’t get away with a higher shutter speed.

Many will also state that a flash is essential and it’s true that I do use my Speedlite 430EXII the most for macro work but even so I don’t use it that often. When I do, I make sure that I have a diffuser for it though, as I don’t like harsh lighting on natural subjects if I can help it.  What I don’t have is a fancy ring-flash or any elaborate lighting rigs – they simply aren’t necessary for what I’m trying to achieve.

The same can be said for sunlight too; on a bright day many macro subjects can lose colour and clarity in your images if under direct sunlight. To counteract this, I use a pop-up white diffuser or translucent reflector which softens the light and allows for a more vibrant shot.

I also use a reflector to help direct more light onto my subject, particularly flowers. I have a double sided gold/silver pop-up reflector which fits in a pocket so even if I’m just out for a walk with my camera and don’t want to take the full kit, I have a tool to give my images a little extra oomph! The images below show the effect of the reflector on a houseplant. The left-hand shot is without any reflector, the centre image shows the silver side of the reflector and the right-hand panel shows the effect of the gold side.

 

Reflector-effects

 

Finally, I’ll share with you a trick that I learnt from a lady in her eighties who also loves macro photography: carry a couple of clothes pegs! This is a slightly more unusual one but it really can pay off. Think of moments when you want to hold a piece of grass or other foliage out of the way to get a clear view of your subject; when you want to move a flower into a slightly different position to create a cleaner background; to enable you to get a better view of an invertebrate on the other side of it or to take advantage of the light. Clothes pegs offer an opportunity to do this without damaging the plant in question. They can also be used to hold a reflector in position and leave your hands free to take the photo. I tend to stick to bright colours so I don’t lose them and have one which is a soft grip peg for delicate subjects.

That’s the lot, I don’t use any other equipment but I’m pretty happy with the results I achieve. Here’s a recent macro image to remind you of the sort of photograph I end up with. If you have any further questions about this post or any of my other gear feel free to get in touch!

Bee-on-heather

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